Howard Morhaim, PRESIDENT
Howard Morhaim's publishing career has included time as a line editor, as a book doctor, and as an acquisitions editor in a variety of publishing houses in New York. In 1979, he established his eponymous literary agency, making use of his editing background to foster close relationships with his clients and their work. He represents renowned authorities in history, biography, art, architecture, science, and religion, as well as canonical authors in literary fiction, thrillers, mystery, science fiction, and fantasy.
Owing to a very full plate, Howard Morhaim is not accepting unsolicited submissions, only exclusive submissions that come as recommendations from colleagues or clients.
Kate McKean, vice president
Kate McKean joined HMLA in 2006. She earned her master’s degree in fiction writing at the University of Southern Mississippi and began her publishing career at the University Press of Florida. She is proud to work with New York Times best selling authors in a wide variety of genres including Daniel Mallory Ortberg’s TEXTS FROM JANE EYRE, Madeleine Roux’s YA horror series ASYLUM, and Brittany Gibbons’ memoir FAT GIRL WALKING. In addition to working with clients, she is an adjunct professor at New York University.
For adults, she is primarily interested in contemporary women's fiction, literary fiction, historical fiction set in the 20th Century, fantasy, magical realism, and science fiction. For children, she is looking for projects in middle grade and young adult in the areas of horror, romance, LGBTQ issues, contemporary fiction, sports, magical realism, fantasy, and science fiction, as well as picture books of all kinds, especially non-fiction picture books. In non-fiction, for adults or children/teens, she represents books by authors with demonstrable platforms in the areas of pop-culture, memoir, sports, food writing, humor, design, creativity, and craft. She is also interested in graphic novels and memoirs for all ages--adult and children.
She is NOT actively looking for, among other areas not listed above, novellas, poetry, or screenplays.
DongWon Song, Literary Agent
DongWon Song represents commercial fiction for adult, young adult, and middle grade readers as well as select nonfiction. He was formerly an editor at Orbit and a product manager for the ebook startup Zola Books. He has also taught as an adjunct instructor in the publishing program at Portland State University. He joined HMLA in 2015.
For adults, he is currently looking for thrillers with either a speculative edge or a focus on technology. Non-fiction personal narratives, food writing, and science writing, in particular work that addresses race and culture in these disciplines. For children, he is looking for science fiction, contemporary thrillers, horror, or fantasy that focuses on the experiences of marginalized people.
He is not currently looking for traditional science fiction or fantasy narratives without a referral from a client or colleague.
Megan Gelement, Agency Assistant
Megan Gelement joined HMLA after graduating from the NYU Summer Publishing Institute in 2017. She enjoys sci-fi and fantasy, humor and satire, memoir, YA, literary fiction, and nonfiction about everything from baking to conservation biology. She earned her bachelor's degree in biology from the University of Alabama. She is not open to queries.
Kim-Mei Kirtland, literary agent
Kim-Mei Kirtland is closed to queries beginning May 02, 2019.
Kim-Mei Kirtland is actively taking on clients who write speculative fiction, literary fiction, and nonfiction. Her primary focus is work for adult and YA audiences, but she is open to select middle grade projects.
In fiction, she is particularly interested in hard science fiction, secondary world fantasy, space opera, magical realism, fabulism, and urban fantasy; in nonfiction, she is primarily open to history, biography, popular science, and food and travel writing with a strong voice.
Books that have resonated with her recently include the Imperial Radch novels by Ann Leckie, PRIVATE CITIZENS by Tony Tulathimutte, HOW TO BE BOTH by Ali Smith, and THE FOUR THOUSAND, THE EIGHT HUNDRED by Greg Egan.
She is not the best audience for work in the thriller or romance genres without speculative elements.